The Blogg

May 31, 2007

Camping

Filed under: Personal — chadhogg @ 4:43 pm

To celebrate Memorial Day weekend 2007, I went camping at Hickory Run State Park with the three Matt Ks (hereafter known as Mykroft, Kriebel, and Mash), the two Lauras attached to a Matt K (hereafter known as Kemmerer and Morkowchuk), Ryan and Lisa Michaluk, and my lovely wife. I’ve been asked to document the experience, with illustrations by Mash. My memory is never good, but hopefully this is close to an accurate account.

Kriebel, Morkowchuk, and Mash arrived in the late afternoon on Friday and started setting up camp. While staking down their tent, Morkowchuk asked Kriebel for the hammer, thinking he would bring it to her. He threw it in her direction, assuming that she was looking to catch it. Because neither assumption was correct, the hammer landed business-end first on Morkowchuk’s foot. Kriebel also managed to injure his thumb, but I do not recall how. We had two sites across a field from each other, and both in a generally open and unwooded area. One site had a tent for Mykroft, Kemmerer, Ryan, and Lisa, and another for Mash. The other site contained a tent for Kriebel and Morkowchuk and another for Chad and Rachel, as well as the picnic table and fire circle that we used.

Campsite #1

Mykroft and Kemmerer arrived later in the evening, and then Ryan, Lisa, Rachel, and myself even later. By that time, we had the joy of setting up our tent in the dark. Fortunately, I was able to remember the proper operation and with many hands and lanterns we soon had the setup finished. We spent the rest of the evening sitting around the campfire, trying to avoid too much smoke inhalation.

The Kemmerers Enjoy The Fire

I had foolishly allowed myself to be convinced that nights would be warm, and ended up awake most of the night shivering under a thin blanket. Sleep eventually found me, but sadly everyone else was used to getting up earlier than 10:00 am. After a breakfast of apples, nectarines, and pop-tarts, and a failed attempt at making coffee over a campfire, Morkowchuk wisely suggested that we go visit Boulder Field, an 1800 x 400 foot expanse of rocks deposited by retreating glaciers. We all went about halfway, then Mash, Rachel, and Lisa waited while the rest of us continued to the end and then returned. On this return trip we experienced the third minor injury when a rock slipped beneath my foot and I scraped my lower leg on the way down.

We Begin The Rocky Trek

Upon our return, we ate a lunch of sandwiches and salads, then played an incomplete game of Phase 10. When the heat became too much, we sat in a circle in the shade. At Mash’s bequest, I got out my guitar. We failed to find interesting in much of a singalong with violin lead, so we played “name that tune” with me playing the chord progression to classic rock and folk-rock songs and others trying to determine the songs. The group didn’t do very well, either because thousands of songs use the same chord progressions or because I’m a bad musician (most likely a combination of the two). When my fingers were screaming in pain, we played a board-less game of Trivial Pursuit. Even with Rachel answering three medical questions, the team of Kriebel, Morkowchuk, Mash, and Lisa somehow defeated Ryan, Mykroft, Rachel, and I.

Lunchtime

The Dream Team

As the afternoon ended, we feasted on kielbasa, baked potatoes, and corn-on-the-cob, with mountain pies for dessert. Afterwards, Ryan, Lisa, and Rachel returned to their respective homes. Mykroft handily defeated me in a game of checkers and then a game of chess, while the weak ones showered. When they returned, we enjoyed the fire until 11:00 or so and went to bed. The following morning came just as painfully early and Mykroft drove home to perform. The rest of us played a few card games, hiked to the lake and back during the morning, then ate tacos for lunch.

The Lake

Exploring The Dam

Afterward, Kriebel tried to learn to play the guitar while I collected extra firewood and Kemmerer went home to join Mykroft for another concert.

The Infamous Barre Chord Constipation

This Is Thicker Than It Looked

Dinner consisted of potatoes, chicken, veggies, and a Kriebel-Morkowchuk fight, all wrapped in aluminum foil and baked in the fire. After some time the Kemmerers returned with a story of a deluge in Bethlehem. As usual, we sat around the fire cooking smores while Mash and Kemmerer led us in singing the Beatles catalog. Then we went on a picnic, taking asparagus, bacon, coconuts, donuts, explosives, filet mignon, a go-RIL-la, heartworms, an illustrated cookbook, a jackrabbit, etc. As we were about to add a van, our picnic got rained out. We ran around cleaning up, then went to bed. The rain stopped almost immediately, but started again later at night.

After breakfast the next morning, Mykroft and I tended the fire while Kemmerer, Kriebel, Morkowchuk, and Mash hiked the Shades Of Death trail. When they returned, we packed up our things and ate a lunch of fire-cooked hot dogs. Good times were had by all.

Shades Of Death?

May 18, 2007

On “The Valley’s Real Rock Station”

Filed under: Uncategorized — chadhogg @ 6:34 pm

I’ve written before about the radio stations available in my listening area, 95.1 WZZO, 99.9 WODE, and 102.9 WMGK. Now there is a new entrant in the field, 107.1 WWYY “The Bone”, which I am aware of only because of a short blurb in the morning paper a few weeks ago. I had high hopes for WWYY being more attuned to my listening preferences, but it seems to be coming up short. They are trying very hard to differentiate themselves from WZZO, but I can’t say I see much difference. Of the things I dislike about WZZO: Wasting inordinate amounts of airtime on self-promotion? Check. Creepy announcer voice? Check. Playing Top-40ish modern rock dreck? Check (and in spades!). At least they don’t (I think) spend their Sunday afternoon airtime on NASCAR coverage.

The funniest part of their ad campaign is a series of announcements where they play a snippet of a song that “ZZO thinks rocks” — I’ve heard Tom Petty’s Free Fallin’, Styx’s Come Sail Away, and Steve Miller Band’s Swingtown. At first glance, this looks like a reasonable marketing strategy. The songs they are denigrating WZZO for playing are all great, but to say that they “rock”, in the sense of loud, aggressive guitars would be disingenuous. The problem is, WWYY plays other songs that I would describe precisely the same way. Most humorously, I heard one of these ads directly after they played 1979 by The Smashing Pumpkins. Now don’t get me wrong, the Pumpkins are listenable once you get past Corgan’s voice, but I can’t imagine anyone saying that 1979 “rocks” in the sense described above.

You know what I would really like out of a radio station? About 45% of their material should be in the genre I would call “classic hard rock”, as exemplified by the music of AC/DC, Guns N’ Roses, Thin Lizzy, Blue Oyster Cult, Van Halen, and the like. Another 25% should be what I call “classic heavy metal”, such as the work of Iron Maiden, Metallica, and Ozzy Osbourne. Modern Electric Blues, such as Stevie Ray Vaughan and Kenny Wayne Shepherd should get about 5% of airtime. The remaining 25% should be the harder side of music commonly called “classic rock”, from Aqualung to Whole Lotta Love. I don’t mean to say that nothing written after 1985 should be played, just that the music should be similar to the style that was popular then. I know of at least two “new” bands, Velvet Revolver and Wolfmother who are writing new material in 2007 that fits nicely in this framework. I am sure there are many others of whom I am unaware. Additionally, many of the bands that defined the loose genre descriptions above are still recording, but radio stations seem only to play the music of their prime. What is new-ish but not in an appropriate style? Grunge, nu-metal, and alt-modern rock like Hinder and Breaking Benjamin.

Beyond this genre shift, I have one more important requirement for a good radio station: they must reach deep into the back catalogs of great music, and not just play the “hits”. In all the time I’ve listened to radio, I don’t think I’ve ever heard a Blue Oyster Cult song other than (Don’t Fear) The Reaper and Burnin’ For You. Maybe Cities On Flame, but I don’t think so. They’ve released 14 albums of original material, most of which would be suitable. Thin Lizzy has a similarly large and excellent body of work, but you won’t hear much other than The Boys Are Back In Town and, if you are lucky, Jailbreak. There is really no reason I should hear the same song on the radio more than once in a week.

Of course that isn’t the only kind of radio station I would like; just the most likely to happen. I’d also love to have a classic rock station that doesn’t just play singles. Whatever happened to Album-Oriented Rock anyway? And a good jazz station. ( That’s spelled J-A-Z-Z, not “smooth jazz” or “easy listening” or “new age” or any other nonsense destined for “Charlie Parker’s personal hell”. ) And a ska/punk station. And a funk and soul station. Etc.

I suppose the perfect radio station is a pipe dream; I shall have to continue to do most of my listening from my own library, even if it does not provide an opportunity to hear new talent, and from customizable Internet radio streams. At least for when I am driving, I now have a significantly better chance of finding at least one station not in commercial break at any given moment.

May 11, 2007

Concert Review

Filed under: Music — chadhogg @ 4:39 pm

Oy! I’ve allowed two months to go by without writing anything here. That shall have to change immediately.

In the days of my youth (mostly while in high school), I was a huge fan of ska music and related genres. Through my college years I grew more interested in classic rock and heavy metal music, while my interest in ska waned.

Last week I noticed in the newspaper that an old favorite band of mine, The Toasters was playing at The Sterling Hotel (warning, terrible website) in Allentown last Sunday, and that tickets were only $12. Given the location, price, and entertainment, I couldn’t refuse.

Doors opened at 8:00, MapQuest estimated my travel time at 15 minutes, and I didn’t really know where I was going, so I left my apartment at 7:30. It looked like a rather simple drive: get on Eaton Avenue in Bethlehem, it becomes Hanover Avenue, then becomes Hamilton Street, and I stop at 343 Hamilton. Of course, it didn’t go that smoothly. Soon after entering Hamilton Street the road split with no indication of which lane remained Hamilton. I chose the right fork and found myself on Front Street in some sort of industrial park. Fortunately, a turn onto Linden and then 2nd brought me back to Hamilton.

When I arrived, I realized I knew exactly where I was. I had been just down the street, at the Allentown Rescue Mission a month or so earlier and a friend, who is nearly a lifelong Allentonian, had pointed out the Sterling as the live music venue in the valley, other than Croc Rock. Parking in this section of the city is rather non-existant, so I parked in the American Plaza lot despite signs warning that non-patrons would be towed. Then I walked to the Sterling, asked about parking, and was directed to the Banana Joe’s lot across the street. I moved my car there, but found myself parking behind a fence that had “Free parking courtesy of Banana Joe’s” on one sign and then directly below it “Unauthorized vehicles will be towed at owner’s expense”. I can’t imagine what would constitute an unauthorized vehicle in those circumstances, but I parked anyway.

My first impressions of the Sterling were that it is a pretty nice place to see a show. It has the usual club problem of turning everything up to the point of saturation, but you can get within a few feet of the band you are there to see. Furthermore, they had two stages to limit the time between one act finishing and the next starting their set to a few minutes at most. My next thought was that this place calls itself a “hotel” — I hope they have either absurdly good sound insulation or very understanding tenants. More likely, they dropped out of the hotelier business long ago.

As I came in, a band of unknown name was playing. The members were young enough that I didn’t need to see the lack of wristbands to know they were under 21. They were playing music in the style typical of ska-punk bands such as Reel Big Fish and Less Than Jake. All I can say about their set is that it was … ok.

Next up was a band called The Mad Conductor, who were much more promising. Their style is much more difficult to describe. The drums, bass, and keyboards were definitely influenced by ska, while the guitar parts were an amalgum of many different styles. The vocals were almost exclusively rapped. Underlying everything was a touch of experimental noise-rock. While this isn’t really my thing, it was performed well, and the frontman made the show great. With his wifebeater, ‘fro, and antics he looked like a young caucasian Hendrix. He was a bit too over the top, but only a bit, and had a stage presence and charisma rarely seen.

The next band was The Project, a local 3-piece punk outfit. (Sadly, I am not referring to the original name of Slash, Duff McKagan, and Matt Sorum’s band that became Velvet Revolver.) They played a harder-edged version of what has been called pop-punk music, but their performance was overshadowed by shoddy mixing. When they started playing, you really couldn’t hear anything but hi-hat and vocals. After the first song the guitar came up in the mix, but it was just playing straight barre-chord eighth notes for the entire set. The bass never really became audible, which was a shame because he appeared to be playing much more interesting lines than are typical of the genre.

Finally, we got to the national acts. The opener of this part was L.A.-based punk band The Briggs, a 4-member punk group. I was a bit disappointed after their first song; it was much more polished than the bands I had heard up to that point, but not terribly inspired. Fortunately, I found as the set continued that they did indeed have chops, they just didn’t always choose to show them. While this was still rooted in pop-punk, the influence of original punk musicians such as The Clash and The Sex Pistols was obvious.

Finally, the headliners! After all the other bands of 20-somethings and younger, it was odd to see Robert “Bucket” Hingley, who could be the father of them all, fronting The Toasters. They played a long single set of a nice mix of classics and new music. The setlist (incomplete and only in approximate order) contained “Shocker”, “Shebeen”, “I’m Running Right Through The World”, “2-Tone Army”, “East Side Beat”, “Weekend In L.A.”, “Social Security”, “Don’t Let The Bastards Grind You Down”, “Pool Shark”, and the encore “Dub 56″, as well as several songs that I didn’t know of have forgotten about. Even as a smaller organization than they had previously been, they sounded great. Even songs that I hadn’t particularly liked on the album were revitalized by Buck holding his guitar just on the edge of breaking up when a chord is held for more than the usual split second.

Afterward, I got an opportunity to purchase a copy of the new album directly from Buck, and to chat with him for a few moments. He also gave me a nice Toasters / Jagermeister (the tour sponsor) guitar pick for free, and seemed genuinely interested in interacting with fans. All in all, definitely an experience I would repeat given the opportunity. And now I find that both B. B. King and Joe Walsh are coming to Musickfest this summer! The full Eagles would be better, but beggars can’t be choosers.

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