Every other time I have been to Crocodile Rock Cafe, I was able to walk through the bar back to the room where the concerts are. Tonight the bar was closed, and we instead had to stand in line in a dark alley beside the building behind a side entrance. The show was advertised as “doors 8:00″, but the door did not actually open until 8:35. In the meantime, there were a lot of angry fans dressed for a long night in a hot room instead huddling in a windy 40 degree night. Definitely not a good move by the venue management.
The first band, Hole In The Sun (http://www.myspace.com/acousticsabbath) came on stage around 9:00 and played for about 45 minutes. The trio (drums, bass, guitar/vocals) refers to themselves as the “ultimate acoustic tribute to Black Sabbath”, and I can’t imagine they have much competition for the title. The drummer and bassist were good, but the guitarist did not quite live up to the (already low) standards of Tony Iommi and her vocal style really did not fit the music. That said, the acoustic arrangements of Sabbath classics like “The Wizard”, “Snowblind”, and “Fairies Wear Boots” were surprisingly effective.
The next opener was The Jersey Syndicate (http://www.thejerseysyndicate.com), who played from 10:00 until 10:35. The band consists of drums, bass, two guitarists, keyboards, and a vocalist. Their music (all originals as far as I could tell) reminded me of Journey, if Journey’s music had been much heavier and they had been fronted by Stevie Nicks. I think I would have really enjoyed the performance, but the soundman did them no favors. Somehow, regardless of which guitarist was playing lead at any given moment, he was overpowered by the rhythm player and the rest of the band. I rarely find female vocals enjoyable in hard rock, but this lady had a great, appropriate voice.
It took only 15 minutes to set the stage, tune the instruments, and check the mics. Unfortunately, we were forced to wait another 50 minutes before the next band would actually perform. This was the biggest crowd I’ve ever seen in Croc Rock, probably around 350, and after the ignominy of waiting in the cold for the doors, patience for this delay was not high. Unnecessarily long waits between acts seems to be par for the course here, and I am starting to think the management is on some sort of power trip from making people wait. (Or maybe they just, sensibly, want to maximize the time that people are there buying drinks while minimizing the cost of entertainment.)
The headliner was Big Noize (http://www.myspace.com/abignoize), a self-proclaimed supergroup of Joe Lynn Turner on vocals (previously of Rainbow, Deep Purple, and Yngwie Malmsteen’s Rising Force), Carlos Cavazo on guitar (formerly of Quiet Riot), Phil Soussan on bass (formerly of Ozzy Osbourne), and Vinny Appice on drums (formerly of Dio, Ozzy Osbourne, Black Sabbath, and currently of Heaven & Hell). Teddy Andreadis (formerly of Guns N’ Roses) joined the band on keyboards and harmonica, although he is not listed as an official member. For the most part, the members had been part of their more famous acts late in the band’s careers, after their period of greatest creative output had ended. Nevertheless, they put on a good show, consisting of Mob Rules (Black Sabbath), Crazy Train (Ozzy Osbourne), Rainbow In The Dark (Dio), Stone Cold (Rainbow), Shot In The Dark (Ozzy Osbourne), Street Of Dreams (Rainbow), The Last In Line (Dio), Cum On Feel The Noize (Quiet Riot), Metal Health (Quiet Riot), Ready For Love (Bad Company), Highway Star (Deep Purple), Long Live Rock ‘N’ Roll (Rainbow), and Tush (ZZ Top).
I was surprised by Cavazo’s virtuosity, given the tepidness of Quiet Riot’s hit songs, but I suppose anyone who was able to replace the late, great Randy Rhoads must be rather exceptional. Andreadis was rarely audible, and on “Highway Star” he couldn’t quite keep up with Jon Lord. Joe Lynn Turner was quite impressive, covering the vocal styles of many great frontmen with ease. He certainly sounded much better than Ian Gillan did when I heard the current incarnation of Deep Purple last year.
This was apparently only the fifth gig by the band, and the performance was quite enthusiastic. You could definitely tell that this was a group of friends getting together to play songs from the old days and that they were loving every minute of it. For the $15 ticket price, it was a great evening. I made a recording of the show, which I would be happy to make available to anyone I know personally.