This was my first experience in the basement of Crocodile Rock Cafe. Unlike the more spacious venue upstairs, it is a corridor about 20 feet wide and perhaps 300 feet long with the stage at one end and a bunch of couches at the other. Although that means that fewer people can be very close to the band, I kind of liked the setup. It is a terrible situation for the bands though; after its set each one had to lug its equipment through the crowd as the next band was trying to bring theirs up through it. Even with this, they did a much better job of quickly setting the stage and getting the next act playing than any concert I attended upstairs. The biggest annoyance is that there is a constant rumble from the band playing above. Usually it is drowned out, but you can definitely hear it when the downstairs band is trying to play softly.
I arrived around 7:15 in the middle of the second opener’s set. Sneaky Sea Lions had trumpet/vocals, trombone, guitar, bass, and drums. The rhythm section was just adequate, but the horn players were tight and the vocalist was good. They played until around 7:45.
At 8:00 the second band, Victor’s Lament, came on. They had alto sax/keyboards, tenor sax, trombone, guitar, guitar, bass, drums, with almost everyone singing lead at some point. They were not as tight as the earlier band, but I suppose that is to be expected with so many musicians. I enjoyed the music, but they all seemed to be really straining to get the vocals out. They finished up around 8:30.
The headliners started playing at 9:00. The ever-revolving lineup currently consists of Buck on guitar and vocals, a saxophone player, a trombone player, a bassist, and a drummer. Their blistering set lasted only an hour, which was disappointing considering how early they started, but did include pretty much everything I wanted to hear. Before the encore the drummer came out and told us the volume and length of our screams would determine how much more they would play, and told us we did “pretty damn good”, so I thought we might get three or four tunes. Apparently, “pretty damn good” merits only two.
They sounded great, but I think I enjoyed the show two years ago at the Sterling Hotel a bit more. At that time they had a bassist who could legitimately toast, and they played a lot of music that featured him doing so. Buck does great on the more straight-ahead vocals, but it just isn’t his thing and the interplay between them was quite good.
Every few years I find myself drifting away from ska towards more sophisticated styles of music, and I need a show like this to make me again glad that I have been part of this subculture. There is no artistic pretension in this music, and even when the lyrics are overtly political the message takes a back seat to the groove. It is music for a party, and it can only really be experience live. The crowd tonight was pretty typical of the scene: about 10% diehard fans in their 50s, 70% kids who look like they should be in or only recently graduated from high school, and a smattering of us in between. Some are skinheads by choice, others by the ravages of time. We’ve got the serious two-tone fans in their plaid sportscoats and derby hats next to the punks with pink hair and spiked leather and the nerds, all here to see a band that was formed before most of them were born. There were half a dozen people at a time rotating through the pit, but hardly anyone in the place could stand completely still. I mean, can you listen to this when they really get cooking at around 1:55 and not at least tap your foot? And that’s a crappy recording where you can barely hear the very important bass line. Live, it’s practically the definition of happiness.
I can’t think of a better way to spend $12 and a Friday night.