Many friends who, like me, grew up in the 90s cannot fathom my disdain for grunge music. After all, it is the music of our generation. Sorry, “Smells Like Teen Spirit” is a catchy tune and the instrumental part at the beginning and end of “Yellow Ledbetter” is pretty cool, but most of the music of Nirvana, Pearl Jam, Alice In Chains, Soundgarden, and the like do nothing for me. Slow songs are great, but they need to be hauntingly beautiful. If you want to use heavily distorted guitars, gravelly voices, and three-note melodies then you need to pick up the tempo a bit to hold my interest. Most grunge sounds like the band barely had enough energy or interest to get through the recording.
I have nothing but respect for bands that refuse to make a deal with the devil, but “indie rock” seems to have a very different meaning than what we used to call the punk ethic. A band’s label status, fashion sense, etc has no impact on whether or not they actually record music I would want to listen to. Today indie seems to mean the style of music that is fawned over by hipsters like Pitchfork Media. I have heard some tracks that I enjoyed by bands like The Arcade Fire and The Fratellis, but for the most part these bands seem to value making unique music more than making listenable music. Innovation is good, but it is not everything.
I also know several lovers of electronica, and I have never really been able to get into that either. I do not have a bias against instruments that are not traditionally used in rock music, or even “found” instruments. If someone playing the trashcan lid or blowing over the opening of a glass bottle is the kind of sound you envision, by all means use it. But in all of these cases there is someone actually making music. What bothers me is recordings that are produced from pro tools or programmed synthesizers or borrowing what someone else played 20 years earlier. Also, most of the electronica that I have heard stretches the boundaries of what I would call music, often lacking any discernable melody and rather creating a soundscape.
I have many of the same issues with hip-hop. I have enjoyed some bands that use rapped vocals and to a lesser extent those that include scratching as an instrument. I have recently discovered The Roots through their use as the house band on Late Night with Jimmy Fallon, and they are great. Most of their vocals are rapped but they also actually play music! I’ll not even discuss the pop stylings of Britney Spears, The Backstreet Boys, and their ilk because I do not think I know anyone who actually enjoys them.
So am I hopelessly stuck in the past, listening to the music of my parents’ generation? For the most part, yes. Many of my favorite musicians were still recording in the 1990s and 2000s, but few did their best work during that time. Of the massively popular albums from that period the only ones that I really liked were by bands like Green Day, No Doubt, and Weezer. However, my late teenage years overlapped with the 4th wave of ska, which I loved. I also partially embraced the nu-metal style of System Of A Down and Papa Roach and, I presume, some other genres that are not coming to mind at the moment.
Today there continue to be new-ish bands coming out that play my kind of music, like Wolfmother, Coheed And Cambria, Jet, and The Raconteurs, but their music is generally as backward-looking as my own preferences. I do not want to be the type of person who insists that everything was better in the old days, but I cannot just make myself enjoy music that does not resonate with me.